RESUME : Réunit un nombre important de documents inédits (ou devenus introuvables) permettant de penser la genèse et la totalité de l'oeuvre de Jean-Luc Godard en tant que cinéaste, écrivain, plasticien, vidéaste, producteur : synopsis, lettres, press-books, scénarios, documents de tournages, etc.). Contributions de quelques artistes qui entretiennent avec cette oeuvre un rappo...(展开全部)

Some thirty years ago filmmaker Jean-Luc Godard told critic Gene Youngblood, I am trying to change the world. He has pursued his revolution in works ranging from the explosive Breathless to the eloquent Contempt to the controversial Hail Mary and the postmodern Histoire(s) du cinema, shaking up conventional formulas with boldly innovative ap-proaches to every aspect of cinema a...(展开全部)

大卫·斯特里特，美国长岛大学副教授，《基督科学箴言报》资深影评人。

大卫·斯特里特，美国长岛大学副教授，《基督科学箴言报》资深影评人。

Originally released as a videographic experiment in film history, Jean-Luc Godard's Histoire(s) du cinéma has pioneered how we think about and narrate cinema history, and in how history is taught through cinema. In this stunningly illustrated volume, Michael Witt explores Godard’s landmark work as both a specimen of an artist's vision and a philosophical statement on the histor...(展开全部)

Using the philosophy of Jean-Luc Nancy as an anchoring point, Jacques Derrida in this book conducts a profound review of the philosophy of the sense of touch, from Plato and Aristotle to Jean-Luc Nancy, whose ground-breaking book "Corpus" he discusses in detail. Emmanuel Levinas, Maurice Merleau-Ponty, Edmund Husserl, Didier Franck, Martin Heidegger, Francoise Dastur, and Jean-...(展开全部)

作者： 路易·阿尔都塞（1918—1990），法国哲学家，20世纪60年代以来最重要的马克思主义思想家，对当代众多人文社会科学领域的知识变革影响深远。长期执教于巴黎高等师范学校，福柯、德里达、朗西埃、巴利巴尔、米勒和巴迪乌等人都曾是他的学生。生前出版有《孟德斯鸠：政治与历史》《保卫马克思》《阅读〈资本论〉》《列宁和哲学》《立场》等十一部著作，以及《意识形态和意识形态国家机器（研究笔记）》等重要论文。去世后陆续整理出版的遗著已有《来日方长》《哲学与政治文集》《论再生产》《马基雅维利的孤独》《在哲学中成为马克思主义者》等二十余种。 译者： 曹天羽，哲学硕士，毕业于巴黎第八大学。译有《无尽的焦虑之梦》《抵抗的人民，不屈的电影：布洛萨的电影、哲学、政治札记》等。 吴子枫，原名吴志峰，江西师范大学阿尔都塞与批评理论研究中心主任，文学院教授。译有《论再生产》《在...(展开全部)

Jean-Luc Godard, like many of his European contemporaries, came to filmmaking through film criticism. This collection of essays and interviews, ranging from his early efforts for La Gazette du Cinéma to his later writings for Cahiers du Cinéma, reflects his dazzling intelligence, biting wit, maddening judgments, and complete unpredictability. In writing about Hitchcock, Wel...(展开全部)